Kino Now and Kino Cult bring independent cinema straight from the theater to your living room

January 14, 2022 0

A monster mishmash: ‘HOTEL TRANSYLVANIA: TRANSFORMANIA’ is unnecessary but has fun with its fourth entry

January 13, 2022 0

Netflix’s ‘CHEER’ returns stronger than ever with a raw, emotionally engrossing second season

January 13, 2022 0

‘In this film, I discovered God’: ‘DON’T LOOK UP’ editor cuts to the core of humanity’s folly, struggle

January 11, 2022 0

‘SEE FOR ME’ director breaks into the details of IFC Midnight’s twisty home-invasion thriller

January 7, 2022 0

Season’s streaming: ‘8-BIT CHRISTMAS,’ ‘RON’S GONE WRONG’ and other family films

December 25, 2021 0

[‘AMERICAN UNDERDOG’ Review] This faith-based football movie plays everything safe, resulting in a narrative fumble

December 24, 2021 0

[Fresh on Blu-ray] ‘MITCHELLS VS. THE MACHINES’ shines, ‘CARD COUNTER’ and ‘FRENCH DISPATCH’ subvert expectations

December 21, 2021 0

Rewinding the magic: ‘IT’S A WONDERFUL LIFE’ actors celebrate 75th anniversary with new special edition disc

December 21, 2021 0

FRESH ON 4K: THE ADDAMS FAMILY and THE WOLF OF WALL STREET round out a big year in studio home video while THE LONG GOODBYE offers a shaggy dog approach to comedy

December 21, 2021 0

Welcome to Fresh Fiction TV

[Interview] Screenwriter Alison Peck knows how to ‘WORK IT’

[Interview] Screenwriter Alison Peck knows how to ‘WORK IT’

August 6, 2020 0

Screenwriter Alison Peck births two babies during a pandemic – her metaphorical one being the movie and her actual new child.

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