Blu-ray Review

6 min read

Travis Leamons April 1, 2024

Film cycles, film language, and the lyrical power of...

Posts navigation

Search for:

Username or Email Address

Password

Remember Me

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’
[Video Interview] Wagner Moura pulls from his past to inform his present in ‘CIVIL WAR’
[Interview] Stephen McKinley Henderson steps into the spotlight in ‘CIVIL WAR’

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’
[Video Interview] Wagner Moura pulls from his past to inform his present in ‘CIVIL WAR’
[Interview] Stephen McKinley Henderson steps into the spotlight in ‘CIVIL WAR’

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’
[Video Interview] Wagner Moura pulls from his past to inform his present in ‘CIVIL WAR’
[Interview] Stephen McKinley Henderson steps into the spotlight in ‘CIVIL WAR’

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’
[Video Interview] Wagner Moura pulls from his past to inform his present in ‘CIVIL WAR’
[Interview] Stephen McKinley Henderson steps into the spotlight in ‘CIVIL WAR’