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Sea truths and horror abound: ‘FEAR STREET 3’ and shocking, heart-wrenching documentaries about ocean life

Preston Barta July 16, 2021

'FEAR STREET: PART 3 - 1666', 'FIN' and 'THE...

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‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
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‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
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Recent Posts

‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
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Recent Posts

‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature
The 8 Things We Learned About ‘MASTERS OF THE UNIVERSE’

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‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature
The 8 Things We Learned About ‘MASTERS OF THE UNIVERSE’

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‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature
The 8 Things We Learned About ‘MASTERS OF THE UNIVERSE’

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Recent Posts

‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature
The 8 Things We Learned About ‘MASTERS OF THE UNIVERSE’

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Recent Posts

‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature
The 8 Things We Learned About ‘MASTERS OF THE UNIVERSE’

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Recent Posts

‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature
The 8 Things We Learned About ‘MASTERS OF THE UNIVERSE’

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