Justin Long, best known for his roles in ACCEPTED and LIVE FREE AND DIE HARD, is no stranger to Kevin Smith’s world. Having worked with him before in ZACK AND MIRI MAKE A PORNO, Long showcases one of his strongest performances in the pleasantly ridiculous TUSK.
Fresh Fiction had the opportunity to sit down with Long before last night’s premiere at Fantastic Fest. We talked about going full walrus, the art of a good interrogation, revisiting the horror genre and the toll it takes on you.
Also check out our review of TUSK (here).
“Kevin [Smith] describes it as pushing towards whimsy. It happens for me when I’m stoned, and I know it happens for Kevin that I look at my notes I wrote that I thought were hilarious, or profound, and I look at them the next day and think, ‘Man, this is ridiculous. What was a thinking?’ But Kevin doesn’t have that next day; he is still stoned. ‘Yep, still looks goooood [inhales].'”
“So, I think it is the result of somebody who not only functions in this capacity, he flourishes!”
“Actually, that’s true. I think the key is alternating in between questions that are general and more specific. General questions can illuminate a lot of the specifics about a particular topic. There is a great book by Malcolm Gladwell called ‘Blink’ that uses a technique called ‘thin slicing’ that ables you to hone in on personalities within just a few minutes of meeting somebody.”
“Also, back to your question, a good story-teller has to be a salesman and Michael Parks is that completely. I always felt that Vince Vaughn is a good story-teller because he is the best salesman I know. He is a great rapid fire speaker. That is the direction I wanted to go with my character.”
“I love movies so much, so it’s hard to say. But lately I have been on this 1960s and 70s kick, going back and watching the movies I have never got around to seeing for some reason, like DOG DAY AFTERNOON and ALL THE PRESIDENT’S MEN. It’s cliche, but they really don’t make them like that anymore. In terms of effectively making me cry, it had to be earlier this year with BOYHOOD”
“Ya know, the truth is I am actually pretty soft.”
“No! Wiley lives around here, though. Man, that movie, DAZED & CONFUSED, just gets me full of pure nostalgia. I go for the movies that I can watch a couple times a year, and it feels like hanging out with an old friend.”
“Oh My God. That’s so old. [Puts head in hands].”
“The thing about that movie is I can’t believe that not only it came out, but that people are responding well to it. But it had a relatively low budget ($8 million) with no bankable stars. I was even just at the airport standing in line and the security guys – what are they called?”
“[Laughs] No. Gah, I can’t remember! [Pause] Oh, TSA! Anyway, they come up to me and they still bring up JEEPERS CREEPERS. But, that’s the only thing they say.”
“First of all, the actors in horror movies get zero credit for their performances. But I knew there wouldn’t be any real pats on the back, and that is always a little hard on the ego of an actor. But I forgot how exhausting it is to illicit that emotion, and when it’s all over you just want to sleep. There is something so fulfilling to know that you have just emptied yourself for the sake of the craft. I love that.”
“No! You can’t! At a certain point in this movie I have to completely give myself over to this primal instinct. People ask if I did any method studying; what I did is I watched tons of Walrus footage while I was preparing for the role. Once I was in the zone, it’s all about trying to communicate my agony and pain for the camera which ended up being a cathartic experience.”
“I believe it was just five.”
“No, it was 15 days in North Carolina, and then two with Johnny’s character.”
“Well, not anymore!”
“Yeah, every time I watch TUSK I admire that line. It’s a wonderful way to articulate the haunting charm like in something so mundane as a thrift store item. I did find out that my dad had this little artifact from Catholic iconography that seemed so macabre and I could never get past the fact that this belonged to a human being. It never occurred to me until Kevin showed me the script that this is why I am so drawn to this idea.”
“My goal when we were shooting was to extricate as much information from this character as possible. Wallace (my character) is used to reporting on stories that are a little more superficial. And Howe (Michael Parks) has these stories that are so fantastic with all this historical relevance so it was always important to me to starkly juxtapose these two characters. One who speaks of something greater and the other is just looking to obnoxiously titillate people.”
“Yeah, in a lot of ways Michael’s character is far more human than my character, even before the transformation. I can’t speak for Michael, but I found myself really putting it all out there.”
“Yeah, they are truly badass.”
“Thanks, man.”
TUSK is playing in theaters now.
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