Cole Clay // Film Critic
THE DUKE OF BURGUNDY | 104 min. | UR
Director: Peter Strickland
Stars: Sidse Babett Knudsen, Monica Swinn and Chiara D’Anna
Apparently Americans are ready to fully indulge themselves in a BDSM movie made for the mainstream. Instead of seeing FIFTY SHADES OF GREY, opt for a film that doesn’t pander to TWILIGHT and Danielle Steele fans. Director Peter Strickland’s THE DUKE OF BURGUNDY serves up a strange, and at times, funny meditation on the monotony of a long term relationship.
Strickland understands the strange occurrences in the well-mannered power struggle between the submissive Evelyn (Chiara D’ Anna) and her well-to-do lover, Cynthia (Sidse Babett Knudsen).
Relationships are exhausting work and Strickland’s leaves touches of beautifully complex interactions between the couple who are going through a rough patch. THE DUKE OF BURGUNDY exists in its own world separate from reality.
Most of the film takes place in the storybook cottage owned by Cynthia. There are zero men in the film, and the sexual practices of the relationships are taken completely seriously. Strickland uses the BDSM to delve into the surface level novelty of the concept, but the film much more simple than that: it’s a relationship drama. One that’s much more relatable that you might think at first glance.
In one compelling scene, Evelyn is commissioned to hand wash Cynthia’s undergarments. The soap bubbles serve as a metaphor for the brewing sexual tension that underlies throughout. The film is a masterful work of art that allows you to get lost in the images on screen (much like GOODBYE TO LANGUAGE, only not nearly as visceral).
THE DUKE OF BURGUNDY is like a lucid dream that is simultaneously clear and complex. It’s an anomaly for taking the provocative topic of BDSM and asking viewers to perversely relate to something so alien.
THE DUKE OF BURGUNDY opens today.
