“SUMMERING” Review: “STAND BY ME” For A New Generation

January 23, 2022 0

“FRESH” Review: Daisy Edgar-Jones Entertains Sebastian Stan’s Captivating Appetites

January 21, 2022 0

‘JUICE’ director remembers Tupac-starring urban tragedy on 30th anniversary

January 19, 2022 0

Kino Now and Kino Cult bring independent cinema straight from the theater to your living room

January 14, 2022 0

A monster mishmash: ‘HOTEL TRANSYLVANIA: TRANSFORMANIA’ is unnecessary but has fun with its fourth entry

January 13, 2022 0

Netflix’s ‘CHEER’ returns stronger than ever with a raw, emotionally engrossing second season

January 13, 2022 0

‘In this film, I discovered God’: ‘DON’T LOOK UP’ editor cuts to the core of humanity’s folly, struggle

January 11, 2022 0

‘SEE FOR ME’ director breaks into the details of IFC Midnight’s twisty home-invasion thriller

January 7, 2022 0

Season’s streaming: ‘8-BIT CHRISTMAS,’ ‘RON’S GONE WRONG’ and other family films

December 25, 2021 0

[‘AMERICAN UNDERDOG’ Review] This faith-based football movie plays everything safe, resulting in a narrative fumble

December 24, 2021 0

A24

DIFF reviews: ‘FRENCH DISPATCH’, ‘C’MON C’MON’ among year’s very best films

DIFF reviews: ‘FRENCH DISPATCH’, ‘C’MON C’MON’ among year’s very best films

October 13, 2021 0

Wes Anderson and Mike Mills’ latest work comes with Texas-sized heart and thrills.

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