‘HOLIDATE’ Review: Emma Roberts and Luke Bracey are winning in an otherwise unremarkable romcom

October 28, 2020 0

[Interview] DisneyPlus’ ‘ONCE UPON A SNOWMAN’ showcases Olaf’s genesis

October 22, 2020 0

[Review] ‘BORAT SUBSEQUENT MOVIEFILM’ is confidently crude with a call to action

October 21, 2020 0

[Review] ‘REBECCA’ brings sex appeal, soapy drama and not much else

October 21, 2020 0

‘THE WITCHES’ Review: Anne Hathaway Conjures Camp In Robert Zemeckis’ Revival

October 21, 2020 0

[Interview] Director Ben Wheatley Collaboratively Weaves Textural Details Into ‘REBECCA’

October 20, 2020 0

‘JUMBO’ AFI Fest Review: Terms of Engearment

October 20, 2020 0

[Review] ‘DICK JOHNSON IS DEAD’ a transcendent film about aging, memory loss, and dying over and over again

October 19, 2020 0

‘PINK SKIES AHEAD’ AFI Fest Review: Jessica Barden stars in a confident directorial debut

October 19, 2020 0

[Video Interview] ‘S#!%HOUSE’ filmmaker-actor Cooper Raiff analyzes the emotional pieces of his directorial debut

October 16, 2020 0

Jonathan Majors

[Review] Netflix’s ‘DA 5 BLOODS’ is a tale of revelry, reconciliation, redemption & reparations

[Review] Netflix’s ‘DA 5 BLOODS’ is a tale of revelry, reconciliation, redemption & reparations

June 10, 2020 0

Spike Lee’s prestige picture paints an indelible portrait.

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