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April 20, 2024

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Laia Colet

Laia Colet

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[Interview] Alice Waddington fuses fantasy with the feminine identity in ‘PARADISE HILLS’

Courtney Howard October 25, 2019

Visionary filmmaker Alice Waddington talks with us

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Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
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Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

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