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Logan Marshall-Green

Logan Marshall-Green

3 min read

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Sundance

‘HOW IT ENDS’ Sundance Film Fest Review: A Mumblecore MELANCHOLIA

Courtney Howard January 29, 2021

This off-beat dramedy's pleasures and poignancy wears thin by...

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Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
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Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

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