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April 16, 2024

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Nick Kroll

Nick Kroll

4 min read

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‘DON’T WORRY DARLING’ Review: Flirts with Disquieting Delights, Delivers Absorbing Style

Courtney Howard September 7, 2022

Though not always narratively successful, its heightened, stylized aesthetics...

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Recent Posts

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
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Recent Posts

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’
[Video Interview] Wagner Moura pulls from his past to inform his present in ‘CIVIL WAR’
[Interview] Stephen McKinley Henderson steps into the spotlight in ‘CIVIL WAR’

Recent Posts

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’
[Video Interview] Wagner Moura pulls from his past to inform his present in ‘CIVIL WAR’
[Interview] Stephen McKinley Henderson steps into the spotlight in ‘CIVIL WAR’

Recent Posts

[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’
[Video Interview] Wagner Moura pulls from his past to inform his present in ‘CIVIL WAR’
[Interview] Stephen McKinley Henderson steps into the spotlight in ‘CIVIL WAR’

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