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April 25, 2024

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Yeo-jeoung Jo

Yeo-jeoung Jo

3 min read

Film Festivals
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Toronto International Film Festival

[TIFF Review] ‘PARASITE’ oozes with secrets that are a pure joy to discover

James C. Clay September 7, 2019

A gloriously twisted story about class, greed, and deception....

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Recent Posts

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Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
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[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
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[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
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[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

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