Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Preston Barta // Editor
Friday marks the beginning of the South by Southwest Film Festival, where movie lovers line up to watch films, documentaries and shorts ahead of their releases (or distribution) and see the world’s greatest talents in the flesh.
Over the next nine days SXSW will screen 263 films, in seven venues across Austin. The Feature program has 84 World, 14 North American, and six U.S. premieres. With all those titles, where does one even begin to decide what to see?
Here are eight promising features that are worth making the trip to the state capital to see.
Mar. 13, 2017 | 9:30PM
I am a fan of minimalist storytelling (e.g., MAD MAX: FURY ROAD and upcoming RAW). Some films are so busy throwing nonsense at audiences that they forget sometimes a movie doesn’t need a complex plot to dazzle viewers. A24, the studio behind such films as MOONLIGHT and EX MACHINA, is back to prove once again just how awesome they are selecting material that’s one of a kind. The story for Ben Wheatley’s FREE FIRE is simple: Two groups of criminals meet in a warehouse to negotiate a weapons purchase … and all goes south in a RESERVOIR DOGS-fashion. Starring Brie Larson, Cillian Murphy, Armie Hammer and DISTRICT 9’s Sharlto Copley as the trigger-happy thugs.
Mar. 10, 2017 | 10PM
Every year SXSW likes to put on retro screenings and fly in talent to either celebrate a special anniversary, or spike interest for an upcoming sequel or reboot. This year, director Ridley Scott, Michael Fassbender, Katherine Waterson and Danny McBride will be in attendance to debut a sneak peek of ALIEN: COVENANT (opening May 19), along with a screening of the 1979 original film ALIEN. In 2015, George Miller gave us about 15 minutes of MAD MAX: FURY ROAD to quench our thirst after a screening of 1981’s THE ROAD WARRIOR. Anything could happen, so don’t miss it.
Mar. 12, 2017 | 7PM
Continuing her hot action-movie streak, Charlize Theron plays an undercover MI6 agent who’s assigned to follow a fellow agent and recover a missing list of double agents. While this doesn’t sound like the most original premise for a shoot-’em-up spy-thriller, stuntman-turned-filmmaker David Leitch’s involvement (he co-directed JOHN WICK and is helming the DEADPOOL sequel) says we’re in for something truly special.
SONG TO SONG
Mar. 10, 2017 | 6:30PM
Fresh off singing winning tunes in LA LA LAND, Ryan Gosling joins Rooney Mara, Natalie Portman and Fassbender for SONG TO SONG, Terrence Malick’s latest loose narrative (about Austin’s music scene) featuring stunning photography. This film has been in production for years now. I can remember attending the Austin City Limits Music Festival a few years back, where crowds saw big-name stars shooting scenes around Zilker Park. After all that filming and waiting, SONG TO SONG is set to open SXSW in a massive way come Friday night.
THE DISASTER ARTIST (work in progress)
Mar. 12, 2017 | 10PM
James Franco is a weird dude. He may be a scholar with 50 different degrees (not accurate) and a fancy for finger paintings, but he can sure direct and act in some memorable material. Whether those films are good or not is questionable, but either way, Franco can shock you. Now, he’s stepping away from Cormac McCarthy adaptations to craft a feature film about the making of Tommy Wiseau’s 2003 disasterpiece THE ROOM — a title that is largely considered to be one of the worst movies of all time. (They hold screenings in Dallas all the time.) So a movie about Wiseau’s process, starring Franco and directed by Franco, has me ecstatic.
Mar. 11, 2017 | 9PM
Edgar Wright is a genius when it comes to deconstructing genres. Just look at his films SHAUN OF THE DEAD and SCOTT PILGRIM VS. THE WORLD. With BABY DRIVER, Wright returns after a four-year hiatus (if you don’t count the whole ANT-MAN fiasco) for a heist film about a getaway driver (Ansel Elgort) who suffers from tinnitus. Wright has a knack for taking what sounds familiar and moving it left of center for a refreshing experience. It also helps that BABY DRIVER stars Jamie Foxx, Jon Hamm and Kevin Spacey.
FITS AND STARTS
Mar. 10, 2017 | 9:30PM
Headlining films draw big crowds when it comes to festival programming. However, what’s also great about film festivals are the little gems waiting to be found. In the past, it’s usually the indie dramas that star talents who are typically known for their comedy television work (see OBVIOUS CHILD and CELESTE & JESSE FOREVER). Comedy actors tend to transition quite well into drama, and FITS AND STARTS seems to fit the bill. Starring Wyatt Cenac (THE DAILY SHOW) and Greta Lee (INSIDE AMY SCHUMER), the film centers on a couple who both write for a living and the complexities involved with the competitive art scene. Anyone who’s married to someone in the same line of work knows it can be an obstacle to get through.
Mar. 11, 2017 | 9:30PM
Lastly, festivals don’t come without their engaging documentaries. This year’s SXSW has some good ones lined up, including Frank Oz’s MUPPET GUYS TALKING: SECRETS BEHIND THE SHOW THE WHOLE WORLD WATCHED and a feature-length doc about the iconic shower scene in Alfred Hitchcock’s PSYCHO, titled 78/52. However, the one that has me eager is BECOMING BOND. After such a heavy-topic year of documentaries in 2016, something lighter sounds nice. So I will take one about how George Lazenby, a car mechanic with no acting experience, landed the role of a lifetime.
Others to consider: THE BIG SICK, DEAR WHITE PEOPLE (episodic), GEMINI, THE HERO, I’M DYING UP HERE (episodic), HOT SUMMER NIGHTS, MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS, PATTI CAKE$, PERSON TO PERSON and SMALL CRIMES.