‘FREE FIRE’ goes south in the best way – chatting about the loose cannon nature with its talent


Preston Barta // Editor

Rated R, 90 minutes.
Director: Ben Wheatley
Cast: Brie Larson, Armie HammerSharlto CopleySam RileyCillian MurphyMichael SmileyJack ReynorBabou CeesayEnzo Cilenti and Noah Taylor

A conversation with filmmaker Ben Wheatley, stars Armie Hammer and Sharlto Copley

One of the most gratifying and contrasting cinematic detours for audiences is the chamber feature, a film most discernible by its focus on a small cast of characters, explored in a short period of time and hemmed in by a limited environment. Though it would seem to be a genre prone to shooting blanks, it’s a surefire formula that works well for director Ben Wheatley.

FREE FIRE finds Wheatley — who co-wrote and co-edited the film with his regular collaborator (and spouse) Amy Jump — returning to the same era as his previous feature HIGH-RISE. Like that ’70s-set film, FREE FIRE is confined to one location. This time, instead of a tower block, we find our gang of career criminals (including Brie Larson, Armie Hammer and Sharlto Copley) in a deserted warehouse in Boston negotiating a weapons purchase.

But what kind of Wheatley film would this be if the transaction went smoothly rather than going south in bloody, thunderous fashion?

After a truck full of the wrong assault rifles is shown to the buyers, accompanied by a personal beef between thugs Stevo (Sam Riley) and Harry (a very good Jack Reynor), the mix-up triggers an explosion of chaos and carnage to fill out the remaining hour of the film.

FREE FIRE was prompted in part by the infamous 1986 FBI Miami shootout. During the thoroughly blotchy and uncinematic firefight, two serial bank robbers took on eight agents and inflicted far more injury and death than expected.

“Part of the report was that the FBI agents had to write down shot-by-shot what happened, including the casualties, where the bullets went and how many injuries there were,” Wheatley said in an interview before the film’s regional premiere at South by Southwest in Austin last month. “When I read that I found the situation to be messy and horrible. It seemed as though no one could shoot straight and that they shot a lot for a long time.”

This devastating event made Wheatley realize how Hollywood tends to show everyone as experts with guns.

“I thought there was something in this story — a procedural thing about people in a gun battle in real time,” Wheatley said.

Though all of the film’s action takes place inside this warehouse, FREE FIRE fills out its space well and keep things moving at full tilt, never letting its audience lose sense of the characters or geography.

L-R, Armie Hammer, Brie Larson, Cillian Murphy, Sam Riley and Michael Smiley in FREE FIRE. Courtesy of A24.

“Shooting in one area is easier in the respect that we didn’t waste any time moving from place to place for location changes. However, because we shot in chronological order, it also made it harder, because if an issue were to occur and you don’t catch it right away, you might not know about it until five weeks in,” Wheatley said.

This particular filmmaking style required Wheatley and Jump to be meticulous and carefully plan the placement of every piece in their mad puzzle, down to using Minecraft for 3-D mapping to make sure everything was accounted for.

“When you read a script like this and see that it takes place in one warehouse, you think it’s child’s play,” co-star Hammer said. “The film so easily could have been boring, but the devil’s in the details. [Wheatley] did all the heavy lifting for us and mapped everything out, allowing us to be more free with our roles.”

Everyone in the stellar cast gets time to shine on screen. Whether it’s the amount of times a certain character awakes from a bullet wound to the head without kicking the bucket or how many killer one-liners Copley has as a shifty South African gun runner named Vernon, FREE FIRE is locked and loaded with explosive wit.

“I love to improvise because it’s like being completely in the head of the character,” Copley said. “In the case with Vernon, who has a big mouth, I was able to spew out whatever popped in my head. But the way [Wheatley and Jump] edited it, they’d choose certain parts, cut it up and pieced it together to make it feel like one line. It’s all about being in the moment and working with great talent.”

Though it may be one of the most violent films to hit cinema this year, FREE FIRE is a lean, kickass flick made to highlight both the destructiveness and absurdity of guns, all while making you laugh until you’re blue in the face.

Grade: A-

FREE FIRE opens on Friday (4/21).

Also watch our video interview with the gang on the red carpet at SXSW:

About author

Preston Barta

Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.