Fresh from Shout Factory: intelligent slasher-thriller ’10 TO MIDNIGHT’ and alarming alcohol abuse drama ‘SARAH T.’


Preston Barta // Features Editor


Rated R, 102 minutes.
Director: J. Lee Thompson
Cast: Charles BronsonLisa EilbacherAndrew Stevens, Gene Davis, Geoffrey Lewis, Wilford Brimley, Robert F. Lyons, Ola Ray and Kelly Preston

The most surprising movie of this week is the 1983 Charles Bronson-starring slasher-thriller 10 TO MIDNIGHT, which has been restored by Scream Factory for a collector’s edition. It’s a firecracker of a film that has a pulse-pounding serial killer story (which may or may not be based on Ted Bundy), great performances, well-written dialogue and a nice pace that never lets its guard down.

Directed by J. Lee Thompson (THE GUNS OF NAVARONE), 10 TO MIDNIGHT involves a veteran homicide detective (Bronson) who is trying to track down a handsome young man (Josh Brolin-lookalike Gene Davis) who has been seducing and knifing many young women to death.

10 TO MIDNIGHT seems like a film that inspired filmmakers like David Fincher (SE7EN, which the movie has a lot in common with). It seemingly has Fincher’s style of narrative, which cuts out the fat and focuses on the good bits only. Even the film’s most ridiculous moments are great. Take, for instance, one sequence where Bronson’s character’s partner (a terrific Andrew Stevens) kicks open a door thinking he’s discovered the killer caught in the act. However, it’s just a couple at a party engaging in some sexual activity. How Stevens’ character reacts to that situation will have you in stitches.

So, the movie has a little bit of everything — romance, comedy, drama and horror. And how it weaves in and out of those genres is outstanding.

Grade: A-

Extras: The Scream Factory Collector’s Edition (now available on Blu-ray through includes a cardboard slipcover and reversible cover art designed by Joel Robinson. It also includes a 4K scan of the original camera negative (although, there are a few parts where certain angles have a strobe effect from a poor rendering); new interviews with actors Andrew Stevens (he has some good stories about working alongside Bronson), Robert F. Lyons and Jeana Tomasina and producer Lance Hool; a new and insightful commentary by author Paul Talbott; audio commentary with filmmakers and a film historian; a theatrical trailer; radio spots and a still gallery.


Not rated, 96 minutes.
Director: Richard Donner
Cast: Linda Blair, Verna Bloom, William Daniels, Mark Hamill, Larry Hagman and Michael Lerner

In 1975, director Richard Donner (THE GOONIES) took what would’ve been a throwaway made-for-TV movie and crafted a rather exceptional film that raises awareness about teenage alcoholism. It stars THE EXORCIST’s Linda Blair as a 15-year-old who is struggling to fit in and turns to alcohol to drown her sorrows. But it’s much more than, too.

Although the film can be very dramatic at times (given that it’s a TV movie), it makes up for the fact by delving into complicated human relationships, the plight to find one’s identity and the negative effects alcohol can have. It’s a pretty daring movie, to say the least, most notably toward the end of the film where we reach rock bottom with our main character. I honestly don’t know if I will be able to shake one image, in particular, that involves a horse. It doesn’t hold back in its delivery of the truth, and that makes it super admirable. It should be mandatory viewing in high schools.

Grade: B

Extras: The Shout Factory release (now available on Blu-ray through includes new interviews with Linda Blair (she talks about her career shift from THE EXORCIST to this and how she approached the character) and director Richard Donner and producer David Levinson (an enjoyable convo about how the film came to be and how it shaped into the bold film that it is).

About author

Preston Barta

Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.