Fresh on 4K: ’10 CLOVERFIELD LANE’ – a locked-room thriller with the looks to kill


Connor Bynum // Film Critic


Rated PG-13, 103 minutes.
Director: Dan Trachtenberg
Cast: Mary Elizabeth WinsteadJohn Gallagher Jr. and John Goodman
Available today on 4K Ultra HD.

Coinciding with the ten-year anniversary of 2008’s CLOVERFIELD (our 4K review), its loosely connected successor, 10 CLOVERFIELD LANE, also makes its way onto 4K UHD Blu-ray. Rather than being another found footage movie, 10 CLOVERFIELD LANE has its own unique film format for the better.

Movie Grade: B+

Apart from being such a massive shift in style from its predecessor, 10 CLOVERFIELD LANE may not necessarily be a sequel. Apparently taking place around seven years after the events of the first film, one would think that being skeptical at the idea of an alien invasion would be thing of the past if these two stories were in fact related.

The story focuses on a young woman named Michelle (Mary Elizabeth Winstead) who wakes up in a mysterious bunker owned by an even more mysterious man named Howard (John Goodman). Howard claims she was in a car accident and he saved her moments before the country was attacked by… something. With the air contaminated in the outside world, Howard says they must remain underground until it’s safe. Michelle must then decide whether or not Howard is telling the truth or if there was even an attack at all. What follows is a gripping thriller that will keep you guessing right to the end.

Dan Trachtenberg, center, talking with actors John Goodman, right, and Mary Elizabeth Winstead on the set of ’10 CLOVERFIELD LANE.’ Courtesy Photo.

Video/ Audio Grade: B+

Upscaled from a 2K digital intermediate, 10 CLOVERFIELD LANE still looks very good in 4K. Finer details like textures on the walls of the bunker and the hairs in Howard’s beard benefit nicely from the added resolution. Stitching in Michelle’s clothing and the shine of her plastic hazmat suit also stand out. The computer-generated effects in the final act are mostly well done, but are somewhat muddled in the darker shots.

The Dolby Vision HDR is a very nice addition as well. Taking place almost entirely in one location, the added color depth helps to keep the scenes from blending together. Michelle’s room has a warmer pink tone on its walls, the living room has a mostly desaturated blue tone, and Howard’s room is a warmer muted brown.

The Dolby Atmos audio track is exceptional. The deep rumblings of the world above the bunker mixed with Bear McCreary’s pulse-pounding score create a wonderful sense of tension while other scenes of pin dropping silence are equally suspenseful.

Extras Grade: B

As usual, there are no new extras for this release and they are all found on the included standard Blu-ray disc.

  • Commentary by director Dan Trachtenberg and producer J.J. Abrams
  • Cloverfield Too (9:10, HD)
  • Bunker Mentality (3:50, HD)
  • Duck and Cover (1:40, HD)
  • Spin-Off (3:50, HD)
  • Kelvin Optical (6:10, HD)
  • Fine Tuned (6:40, HD)
  • End of Story (3:20, HD)

Final Grade: B+

10 CLOVERFIELD LANE, frankly, makes much more sense as an addition to the 4K UHD library than its found-footage older cousin, as its increased resolution and color depth don’t distract from the authenticity of the story. While not a native 4K release, this film certainly gets the job done.

About author

Preston Barta

Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.