Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Preston Barta // Editor
It’s a good time to be a Stephen King fan. STRANGER THINGS paid homage to his great works, two new adaptations are hitting the big screen later this year (DARK TOWER, IT) and a few others will be streaming on Netflix. But before they arrive, Shout! Factory (a genre home distribution company) will re-release one of his film adaptations, with a 2K upgrade and a bundle of new features.
Rated R, 115 minutes.
Director: Mark L. Lester
Cast: Drew Barrymore, David Keith, Freddie Jones, Heather Locklear, Martin Sheen and George C. Scott
Available for purchase on Shout! Factory here.
Speaking of Stranger Things, if you were wondering where they got the idea of a girl with superpowers whom a government agency tries to weaponize, look no further than 1984’s cheesy, but often fun FIRESTARTER.
While it’s not considered one of the best King adaptations out there, time has treated some of FIRESTARTER’s themes and aspects well. For instance, many thought 8-year-old Drew Barrymore gave a rather wooden performance at the time of its release. However, as you may have saw with the character Eleven in STRANGER THINGS, she also played the character quite similarly. At a second glance, this method actually works for a character who barely knows how to use her incendiary powers.
So if you can tolerate a story that, at this point, has become a formula for King, and have a taste for conspiracy thrillers with a healthy dose of sci-fi, FIRESTARTER should spark your interest.
Extras: An audio commentary with director Mark L. Lester, a making-of (featuring interviews with Lester, actors Freddie Jones, Drew Snyder, stuntman/actor Dick Warlock and Johannes Schmoelling of Tangerine Dream), an interview with Schmoelling about creating the music and memories, a live performance of “Charlie’s Theme,” theatrical trailers, a radio spot and still gallery.
Rated R, 115 minutes.
Director: John Milius
Cast: Patrick Swayze, C. Thomas Howell, Lea Thompson, Charlie Sheen, Jennifer Grey, Brad Savage and Harry Dean Stanton
Available for purchase on Shout! Factory here.
This is a movie that requires being in a certain mindset to appreciate. Whether it’s the love of ’80s cinema or exploration of what could have been if history had gone a different direction, RED DAWN thrills and entertains.
Like many ’80s movies with large casts (including Patrick Swayze, C. Thomas Howell and Charlie Sheen), there’s more focus on the action and plot than actual character building.
That said, the movie doesn’t hold back in its gritty and violent display. As hard as it is to watch Americans defend themselves on their own turf, the movie opens up a school of thought that otherwise wouldn’t have been considered.
Extras: A 70-minute reflection of making the film (including brand-new stories from co-star Doug Toby, casting director Jane Jenkins, production designer Jackson DeGovia and editor Thom Noble, four archival featurettes (“Red Dawn Rising,” “Training for WWIII,” “Building the Red Menace” and “WWIII Comes to Town”) and the original theatrical trailer.
Aboard a spaceship full of passengers bound for a new planet, a mechanic named Jim Preston (Chris Pratt) finds himself waking up from induced hibernation 90 years early.
After flying solo through space over the course of a year, Jim takes it upon himself to wake up the prettiest female passenger — journalist Aurora Lane (Jennifer Lawrence) — to keep him company until the end of their days. Striking production sets, charismatic talent and the potential for a juicy horror movie may keep our attention, but rather than diving into the deeper, darker conversation at hand, the film instead distracts us with a TITANIC-esque action tale that deserves to be lost in space.
Extras: Deleted scenes, outtakes, on the set with Pratt, how they cast the film and created the design of the ship.
Thunderous performances and a sharply adapted screenplay give third-time director Denzel Washington’s Fences some real bravado. But because its story of a pre-civil rights working-class black family is based on August Wilson’s award-winning stage play, Washington doesn’t broaden the scope of the movie to a cinematic level.
Extras: A featurette on taking the play from stage to screen, casting process and building the film with Washington, a special on Davis’ character and August Wilson.
Paul Verhoeven (TOTAL RECALL, ROBOCOP) is best known for his sci-fi epics in the ’80s and ’90s, but what many may not realize is he’s one incredibly versatile director. He may just have made his magnum opus with his French language debut ELLE that goes above and beyond to reinvent the rape/revenge narrative.
Marked by an astounding central performance from Isabelle Huppert (AMOUR), the film dives into interpersonal relationship with her ex-lover, son and work colleagues as she deals with the trauma of sexual assault. Provocative and funny, ELLE is a high-brow film with teeth.
Extras: A making-of and Celebrating an Icon: AFI’s Tribute to Isabelle Huppert.
First thing you’d take notice of if you picked up this title is its talented cast — which includes Colin Farrell, Anthony Hopkins and Jeffrey Dean Morgan. Sometimes when you come across a movie you hadn’t heard of that sports a big cast, though, chances are it’s not good.
SOLACE is not worthy of being placed in the $2 bin, because it showcases an intriguing premise about a psychic doctor working with the FBI to track down a serial killer, but it twists a little too far for its own good and drowns itself in cliches.
Extras: An audio commentary with director Afonso Poyart, a making-of (“Visions and Voices”) and trailer gallery.