I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Preston Barta // Features Editor
THE SILENCE OF THE LAMBS (1991)
With GET OUT snagging a Best Picture nod this year, the relationship between the Academy Awards and the horror genre comes full circle with the Criterion Collection release of THE SILENCE OF THE LAMBS, which won Best Picture in 1992. It’s a film that’s not simply a horror flick that’s just fun and/or scary, and that’s all it has going for it. SILENCE OF THE LAMBS blends horror with first-rate drama.
For those who may not be up to date on the cultural zeitgeist, the story concerns a young FBI cadet (Jodie Foster) who is sent to interview a captured madman (a killer-good Anthony Hopkins) to find out about a serial killer (Ted Levine) who strips the skin from his female victims after they die and dances a blood-chilling, nude solo to Q Lazzarus’ “Goodbye Horses.”
Needless to say, SILENCE OF THE LAMBS takes many twists and turns, creating a suspenseful thriller that doesn’t share an equal. At the heart of it all is the relationship between Hopkins and Foster’s Hannibal Lecter and Clarice Starling. It’s very much a high-stakes game of chess with words, where one is trying to get inside the mind of a killer while the other tries to learn an agent’s innermost secrets. It’s a perfect movie. And its original Criterion cover art, packaging and special features are worth the bite out of your wallet.
Extras: The Criterion Collection release includes many archival featurettes and documentaries as seen in previous releases. Except now it’s all been rolled into one definitive edition that also includes a new 17-minute examination of people’s fascination with serial killers (critic Maitland McDonagh articulates how these stories make us feel more sane about ourselves), 38 minutes of deleted scenes and a nice booklet complete with essays and interviews.
All Special Features:
- New 4K digital restoration, approved by director of photography Tak Fujimoto, with 2.0 surround DTS-HD Master Audio soundtrack on the Blu-ray
- Alternate 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- Audio commentary from 1994 featuring director Jonathan Demme, actors Jodie Foster and Anthony Hopkins, screenwriter Ted Tally, and former FBI agent John Douglas
- New interview with critic Maitland McDonagh
- Thirty-eight minutes of deleted scenes
- Four documentaries featuring hours of interviews with cast and crew
- Behind-the-scenes featurette
- PLUS: A book featuring an introduction by Foster, an essay by critic Amy Taubin, pieces from 2000 and 2013 by author Thomas Harris on the origins of the character Hannibal Lecter, and a 1991 interview with Demme