Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Jared McMillan // Film Critic
I KILL GIANTS
Fantasy, in one of its many definitions, is “an imagined or conjured up sequence fulfilling a psychological need…”. Because of this defining trait, many films attempt to translate something psychological through fantasy, while melding with other genres, such as horror or drama. Most of these films revolve around coping with something personal. For example, a widow whose depression takes the form of something sinister (THE BABADOOK) or a son trying to reestablish a connection with his dying father through his life’s tall tales (BIG FISH).
Fantasy plays an even bigger role when trying to translate these emotions to a younger audience. Whether placing these themes in a package wrapped in Pixar, or developing a world seen through the eyes of a young protagonist, the storytelling needs to find a balance between making the fantastic seen first to digest the message later. The scenes will play out visually to keep focus on the screen as the film’s true meaning unfolds through the reality surrounding it.
The latest film to attempt bridging personal themes with imagination is I KILL GIANTS, which is based on Joe Kelly’s (who also penned the screenplay) 2008 limited-run comic book series. It centers on Barbara Thorson (Madison Wolfe), who is an outsider to say the least. She wears bunny ears all the time, defies everyone with or without reason, and, more importantly, she kills giants, protecting her town from certain destruction. Barbara becomes increasingly isolated within her own home, leaving her sister Karen (Imogen Poots) to struggle between work and playing mother.
As Barbara begins her hunt for the Forest Giant, two people enter her life: one is a new schoolmate named Sophia (Sydney Wade), who she also sees as a compatriot for her mission; the other is a new school psychologist, Ms. Molle (Zoe Saldana), who is determined to get Barbara back to reality. They both care for Barbara in different ways, however the more they learn about her family, questions start to come to light regarding Barbara the Giant Killer. Is she really fighting giants or escaping from a reality she no longer wants to be a part of?
I KILL GIANTS fully wears its heart on its sleeve and it really gives breadth to the surreal moments involving the giants. Directed by Anders Walter, who won a 2013 Oscar for his live-action short HELIUM, it is a labor of love that took almost four years to make. It’s a gorgeous film to watch, using dimmer tints to heighten the gray area that the film lives in. Barbara is the focus of it all, with various close-ups developing an intimacy between the audience and her character, and Madison Wolfe is excellent in everything being Barbara entails.
There are some minor hiccups in a couple of areas that hinder the balance of reality and fantasy. Throughout the film, there is some dialogue that stands out as awkward, as if it was something taken from the source material. However, it could be chalked up to the protagonist’s awkward personality and her need to portray the hero in public. Also, the third act seemed to rush through the pacing established in the previous acts to get to Barbara’s victory/catharsis and it hindered the impact a bit.
Regardless of these flaws, I KILL GIANTS does well to translate the emotional heft of growing up, within the fantasy framework. Minimal visual effects allow for the story to take center stage and focus on Barbara’s reality, while letting the mystery evolve. But it also allows for the VFX to have a greater impact for tension when its needed, such as its final scenes. Life can have giant problems every now and then, and it helps to have others in one’s life to give guidance in defeating them.
I KILL GIANTS is now playing in select theaters and available on Video-On-Demand.