I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Preston Barta // Features Editor
This weekend may be dedicated to Black Friday shopping and the latest GILMORE GIRLS episodes, but if you find yourself craving the kind of movie that makes you smile through the tears and hold your loved ones tighter, MANCHESTER BY THE SEA soars as one of the year’s very best.
The film’s beautifully wrought story begins in Quincy, Massachusetts, where we find Casey Affleck’s Lee Chandler, a solitary jack-of-all-trades at a local apartment complex. He’s a man with a great deal of pain behind his eyes who’s oblivious to flirtatious attendants and doesn’t give much of a damn when it comes to another provocation.
The catalyst is the passing of his older brother, Joe (Kyle Chandler), whose heart gave out due to his congenital disorder. This unfortunate news sends Lee up the coast to face further news of his brother making him the sole guardian of his teenage son, Patrick (Lucas Hedges).
The tragic departure of a family member or friend is something that changes the manner in which we deal with others in a permanent way. Even though it is said that grief is an indescribable feeling, MANCHESTER BY THE SEA does a remarkable job of accurately portraying it.
Instead of spoon-feeding us what’s eating at Lee, filmmaker Kenneth Lonergan (Margaret, writer of Gangs of New York) gives us subtle hints throughout before unveiling the truth of his character at the most opportune time. Through the film’s seamlessly woven flashbacks and bittersweet tone, the audience is asked to participate in its devastating puzzle assemblage.
As emotionally draining as the material can be at times, especially one sequence involving Lee’s former lover (a terrific Michelle Williams) and their children, Lonergan’s award-worthy script captures the humor and heartache of real life. It doesn’t play toward Hollywood’s standards or wallow in either drama or comedy. Lonergan knows when audiences need to laugh and lament.
As impressive as Lonergan’s words is Affleck’s performance. Time and time again, Affleck (brother to Ben) has proven himself to be the more talented sibling in front of the camera. He knows how to immerse himself so deeply into a role where you forget you’re watching a performance. He brings all of his rigor to this rendition of Lee’s torment.
To match Affleck’s top-tier performance is Hedges (MOONRISE KINGDOM). The way in which Hedges and Affleck pick at each other like brothers, with each new insult stinging more than the one that preceded it, shows how much these two need each other to muster the strength to go on. It’s a sensible touch applied by Lonergan that’s rare among movies seen today.
MANCHESTER BY THE SEA may not have the neat resolution you want, but it features tangible characters whose lives you want to be a part of and an unforgettable experience that’s rich with all of life’s pain and joy.