I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Jared McMillan // Film Critic
Like this week’s release of DENIAL (our review here), MASTERMINDS is another film based on a true story (albeit loosely).
It’s an altered account on one of the largest heists in history, as a group of amateurs decide to rob Loomis Fargo of $17 million. David Ghantt (Zach Galifianakis) works for Loomis Fargo, but quickly becomes a patsy as his affection for Kelly (Kristen Wiig) leads him to commit robbery. A plan hatched by Steve (Owen Wilson), David steals everything but doesn’t get rid of all of the evidence.
They ship him to Mexico, while all chaos breaks loose back home, and makes David a loose end. He left behind his alien-like fiancée Jandice (Kate McKinnon), Steve sends a psychotic hitman (Jason Sudeikis) to kill the patsy, and the FBI agents (Leslie Jones and Jon Daly) are putting everything together.
More or less, MASTERMINDS is a movie that you just have to realize is going to be weird, but in a great way.
Directed by Jared Hess (NAPOLEON DYNAMITE, NACHO LIBRE), he has a knack for rustic humor, as the homeliness of the characters play into the setting of the scene. It’s easy to make a comedy about white trash wanting to get rich quick, but the funny comes from the little things that make the characters unique.
The entire movie plays like a SATURDAY NIGHT LIVE “10-to-1” sketch, which is designated for the last sketch of the night and highlighted by something completely offbeat. The key thing for a movie like this to work is that it rides that weird motif into the ground. For instance, all of the montages get the most laughs, from going over the plan to sweet, naïve David enjoying Mexico. It could’ve been better paced, as it seemed to be lapsing time so much that it seemed to skip some elements to fully flesh out the story.
There’s nothing wrong with dumb comedy, as long as it has something more to it. We, as viewers, want dumb that take us out of our element. The world built within MASTERMINDS is something unique, which allows for acceptance of odd behavior. There is plausibility to the madness, a naiveté that is folly to certain circumstances that can happen. Will the FBI use a neighbor to get information on a suspect? Sure. Will that assistance be thwarted because a guy can’t breathe through his nose? Not likely, but the appearance of this obstacle is hysterical.
MASTERMINDS is here to make you laugh at some buffoons that got in the way of themselves escaping with millions of dollars. Come for the farce of life, stay for the hysterics of fiction.
MASTERMINDS opens nationwide on Friday.