I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Kip Mooney // Film Critic
PILGRIMAGE wants to be BRAVEHEART so bad. It is both earnest and gruesome, which doesn’t exactly work. Severely dull in its first half and breathless in its second, it wants to be a story about upright religious men called on a holy mission, but with plenty of breaks to kick ass.
Tom Holland, so great this year in THE LOST CITY OF Z and SPIDER-MAN: HOMECOMING, plays Brother Diarmuid, the youngest monk in a small Irish sect. For centuries, they’ve been entrusted to guard a holy relic. But when the king’s bloodthirsty son (Richard Armitage of THE HOBBIT trilogy) threatens them, they flee with the sacred stone.
Much of the first part of the journey is arduous, for the travelers and for the audience. There’s discussion of religious duty and the meaning of life, but it’s mostly weak conversation from writer Jamie Hannigan, making his feature debut.
But a little over halfway through, savage bandits attack the caravan in a brutal scene that recalls the opening battle in The Revenant. Though it’s nowhere near as skilled or captivating as that film, it at least picks up some steam, even as the corpses pile up.
Jon Bernthal (Netflix’s DAREDEVIL) plays the Mute, a laborer among the monks who doesn’t speak. His meek nature hides his brute strength and intensity. He easily lays waste to half a dozen of the bandits. Bernthal is quite good, even he gets (almost) nothing to say.
But the film’s problem isn’t its acting or staging. It’s because, like too many movies, at war with itself. It wants the profundity of SILENCE with the bloodshed of GLADIATOR. It’s nowhere near as deep as the former and far grosser than the latter. It’s simply a journey not worth taking.
PILGRIMAGE opens in theaters, on VOD and Digital HD on Friday (8/11).
Dallas: AMC Hickory Creek.