I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Connor Bynum // Film Critic
Martin Scorsese’s filmography has always featured glimpses into his Catholic upbringing, but his latest film SILENCE brings it front and center. As a passion project of his nearly 30 years in the making, SILENCE joins the ever-growing roster of faith based films in Hollywood, yet stands far above the crowd as one of the best films of the year and of Scorsese’s career.
Based in 17th century Japan, two Jesuit Priests, Father Sebastien Rodrigues (Andrew Garfield) and Father Garrpe (Adam Driver), set out from Portugal to find their former mentor, Father Christovao Ferreira (Liam Neeson), who is said to have abandoned his faith after heavy persecution from the Japanese government.
When Rodrigues and Garrpe finally come into contact with Japanese believers, they are met with a faith staggeringly stronger than their own. Rodrigues often notes that the sheer passion these people have for their Lord stirs doubts in his heart about his own commitment to the faith. He struggles with the idea of not being worthy to preach a gospel to which these villagers so strongly devote their lives.
SILENCE does not hold back in its exploration of embracing the idea of faith rather than the faith itself. Some of them believe because the concept of Heaven is a means of an escape from a world of hardship. Others seem more interested in the Priests themselves rather than the Gospel they preach.
Among the villagers is a drunken guide named Kichijiro (Yôsuke Kubozuka), a deeply flawed character that gracefully balances the line between comic relief and pitiful tragedy. A shamed man, Kichijiiro constantly renounces his faith when faced with persecution, yet never fails to (sometimes literally) come crawling back to beg forgiveness from Rogdrigues. He laments being born into a time when Christians are persecuted for their faith and that he could have lived and died as a “good Christian” had he existed in a different time and place.
The film also features a stand-out performance from Issey Ogata as the man responsible for the persecution of Japanese believers, Inquisitor Inoue. Inoue possesses a relentless intolerance for Christianity amongst the Japanese people, and Ogata absolutely owns the screen in his portrayal.
While the story of SILENCE is simple, the film presents questions that are anything but. How much is too much to bear in the name of faith? If Christ already suffered for us, does He require us to suffer as He did? Does He not hear us when we suffer? Is He even there? The film respects its audience by never telling it what to believe. Rather, it makes a case for what faith can require from the faithful.
SILENCE is not the kind of film that is meant to be watched lightly. It expertly addresses the often uncomfortable idea of having one’s personal convictions tested to their breaking point, while avoiding the pitfalls of preaching to the viewer. This film is no doubt a testament to Scorsese’s utter devotion to his craft and it demands to be seen.