I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Preston Barta // Features Editor
We all know the standard formula of boxing movies: One goes from being at the top to the bottom, training, training, training, drama, drama, drama, and one last fight to get back on top. SOUTHPAW doesn’t push the formula very much. However, every so often you’ll come across a sports film that manages to find the right balance of action and drama. When fights are justified with stories full of enough crushing emotion that they become all the more intense and gratifying.
The story is as expected: Jake Gyllenhaal plays Billy Hope, a boxer who is at the top of his game until tragedy strikes, causing his life to crumble around him. From there, Hope must find a way back in the game and reclaim his former glory.
Gyllenhaal, who has been on fire lately with his role picks, continues to prove his worth in Hollywood. His turn is powerful and the other actors all play well off him. And while Gyllenhaal is the clear standout here, Forest Whitaker gives his best performance since he won the Oscar back in 2007 for THE LAST KING OF SCOTLAND (2006). Whitaker has always been able to bring tenderness to his roles, but here, as Hope’s trainer, he finds a way into your heart and nestles there.
As for problems, there’s the obvious formula that comes with its fair share of predictability. There are also moments where the film becomes a bit heavy handed in its approach to what the audience should be feeling. But at the same time, screenwriter Kurt Sutter, who created and wrote for the hit FX show SONS OF ANARCHY, doesn’t make anything glaring enough that it completely takes away from the enjoyment that is to be had. Of course, Sutter packs his stories with cheese from time-to-time, but you buy into it.
The wonderful score brought by the late and great James Horner (may he rest in peace) is also worthy of mention. Certain tones sound familiar, bringing you back to the warm, buttery feeling you got with TITANIC (1997), while others are ice cold like TROY (2004) or BRAVEHEART (1995). Horner really elevates each scene, whether audiences are supposed to feel concerned, despairing or cheerful. He hits all the right notes (no pun intended).
SOUTHPAW not only shows the strong acting abilities of the entire party involved; it tells a story that displays how sometimes the world’s strongest forces are insignificant in comparison to the troubles of a scarred family. In the end, it’s the audience who wins, for SOUTHPAW is an engaging presentation of an adrenaline-pumping, powerful tale.
SOUTHPAW opens tonight at 8 p.m. in participating theaters and nationwide tomorrow.
No trailer, as it spoils too much.