Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Kip Mooney // Film Critic
THE STANDOFF AT SPARROW CREEK
Well, that didn’t take long. Only a few weeks into 2019 and we already have our first great movie. Shot in Dallas, mostly in one location, THE STANDOFF AT SPARROW CREEK is a tense thriller that maximizes its low budget, delivering a compelling, complex film.
James Badge Dale plays Gannon, a damaged ex-cop and militia member. When he hears a report of shots fired at a police funeral, he and his fellow militia men assemble at their compound, as they try to figure out if they or any of their brothers in arms are suspects. When they discover some of their arsenal missing – including hardware used in the shooting – they begin to turn on each other. With the authorities closing in, they have to figure who could commit such a heinous crime, and why he would want to bring down the rest of the crew with him.
To say much more would give away the film’s many twists, some of them gut-wrenching. The film definitely owes a debt to paranoia thrillers like THE CONVERSATION and BLOW OUT, and its interrogation scenes reminded me a lot of THE USUAL SUSPECTS. And for a film about violent men and a horrific crime, the movie is extremely careful about when it uses violence.
The cast is filled with “that guys,” character actors who have popped in everything from MULHOLLAND DRIVE (Patrick Fischler) to NO COUNTRY FOR OLD MEN (Gene Jones) and FRIDAY NIGHT LIGHTS (Chris Mulkey) to BOARDWALK EMPIRE (Brian Geraghty). They all play their roles perfectly, adding dimension to characters who may not say much, but all have intense reactions when backed into a corner.
Denham directs with a lot of skill, using sparse lighting, but still letting us see exactly what we need to, and obscuring what we don’t. With several long takes, he lets his actors show off their chops, as they tell vivid stories that don’t need flashbacks to feel real (even if they’re not). But the secret weapon is Josh Ethier’s editing. He’s worked almost exclusively on horror flicks, and his masterful cutting ratchets up the tension, and makes the devastating reveals hit that much harder.
THE STANDOFF AT SPARROW CREEK is a hidden gem, lurking in some theaters and on VOD. Search for it. You’ll be shaken, but glad for the experience.
THE STANDOFF AT SPARROW CREEK is now playing in limited release and is also available on Video-On-Demand and Digital HD.