I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Connor Bynum // Film Critic
THE VANISHING OF SIDNEY HALL
THE VANISHING OF SIDNEY HALL is not a bad movie, but it’s also nowhere near as good as it seems to think it is. It almost feels as though writer-director Shawn Christensen (BEFORE I DISAPPEAR) was aware that his film had very few original ideas, so he attempts to distract the audience with the illusion of originality by hitting them over the head with nonlinear storytelling.
Three timelines play simultaneously, with one featuring Sidney (Logan Lerman) as an angsty high school student, the second as a successful author with a cult following, and the third as a deranged homeless man who’s lost it all. This naturally leads the viewer to wonder just how on earth Sidney got to where he is in the third timeline. But after a two-hour run time, some genuinely surprising twists are left feeling underwhelming.
Tasked with portraying a man at three dramatically different stages in life, Lerman (THE PERKS OF BEING A WALLFLOWER) fully commits to his performance as the titular Sidney Hall. The supporting cast collectively give adequate performances, with standouts including Elle Fanning as Sidney’s wife Melody, Blake Jenner as the high school bully, and Nathan Lane as a sleazy publishing agent. Overall, the cast feels authentic and does their best with the material they’re given. The problem is that the material is irreparably bland.
My largest complaint with the film is that for a story focusing so much on this brilliant writer, the viewer doesn’t get to hear much of his work. I can only put up with characters talking about how “gifted” and “amazing” Sidney is for so long before the writing of the film itself starts to come across as lazy and cliche. For what it’s worth, this isn’t the case early on, as we are treated to a voice-over of Sidney’s provocative and controversial high school essay. Yet, this is about the only legitimate sample of his work that we get for the rest of the movie.
Although it’s told through an admittedly interesting perspective and capable of sporadically providing some thought-provoking twists, THE VANISHING OF SIDNEY HALL is simply a boring film with too little to say in too long of a run time. Lerman is a talented young man and undoubtedly has a compelling career ahead of him, but it’s probably for the best if this misfire vanished from our memory for good.
THE VANISHING OF SIDNEY HALL opens today.