Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Susan Kamyab // Contributing Critic
Previously published ThisChixFlix.com
M. Night Shyamalan was once known for his great films such as THE SIXTH SENSE, UNBREAKABLE, and SIGNS. Unfortunately, his more recent projects have subjected us to some underwhelming, pieces of crap like THE HAPPENING and AFTER EARTH. Well folks, I’m pleased to say that Shyamalan’s latest film, THE VISIT, succeeds as a highly entertaining horror-comedy!
Kathryn Hahn plays a single mother of two (Olivia DeJonge and Ed Oxenbould) who has not spoken to her parents since she left home at the age of 19 and ran off with an older man. Now, her parents have reached out to her through the internet and ask that her children come to visit their Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie), whom they’ve never met.
Per the kids’ wishes, the mom sends them to their grandparents’ isolated, Pennsylvania farmhouse in the woods for a week while she goes on a cruise with her new boyfriend. The eldest child, Becca (DeJonge), is an aspiring filmmaker. She takes this opportunity to document her entire trip, and hopefully uncover exactly what happened the day her mother walked out on her parents and maybe even mend their relationship. Alongside her, as a second camera operator is her younger, germ phobic, rapping brother, Tyler (Oxenbould).
The trip starts all well and good, Nana makes plenty of tasty treats and Pop Pop enjoys listening to Tyler’s ridiculously, hilarious raps. Seems as though it will be a great week for the kids– that is until they discover why bed time is at 9:30 p.m. Nana goes from a harmless, nocturnal sleepwalker to a straight up psychotic, creepy crawler within each passing night! And what exactly is Pop Pop doing when he disappears inside his mysterious shed? As things turn eerie fast, the kids are desperate to have their mother come get them before anymore craziness unfolds.
Shyamalan has not only redeemed himself as a filmmaker, but he has also brought originality to the found-footage/mockumentary genre. His combination of humor and terror will have audiences uncomfortably laughing while still on the edge of their seats as they nervously anticipate what’s to come.
The acting is good overall, especially when it comes to the two kids, who could have ruined the whole film if they were wrongly cast. Oxenbould was given some cheesy lines and potentially bad jokes, but his delivery and timing is so on-point that you can’t help but enjoy every second he’s on screen. But the real stand out here is Nana. Dunagan gives an incredible performance as the disturbing grandmother who seesaws from sweet and nurturing to plain insanity.
THE VISIT provides comedy, horror, family, and best of all, a startling amount of effed up sh*t. Literally!
THE VISIT opens everywhere today.