I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
Kip Mooney // Film Critic
Tales of addiction and recovery are usually left to the realm of drama, and sometimes even horror. Talking about such dire topics in a comedy is really tricky to pull off. So, while some of the flourishes in UNLOVABLE don’t really mesh with the seriousness of the issues presented, it never feels less than earnest. Between that and the committed performances, the film, like its protagonist, kinda-sorta have success.
Charlene deGuzman writes and stars as Joy, a character based loosely on herself. She seems to have it all: a job she enjoys, a boyfriend (Paul James) who treats her right and a nice place in L.A. But she still frequents a local bar and picks up random men. Unable to keep it under control, her boyfriend dumps her and kicks her out of his house. They work together too, so she loses her job, sending her entire world crashing down.
Joy enters a 12-step program for her addiction to sex and unhealthy relationships, to get on the road to recovery. Seeing a lot of Joy in herself, the group leader Maddie (Melissa Leo) takes a chance, sponsoring her and letting her crash in her mother’s guest house, where her estranged brother Jim (John Hawkes) looks after them. But it comes with a cost. Joy has to follow a strict 30-day detox plan: no calling her ex, no texting hook-up partners and no masturbating.
But of course that’s easier said than done. Desperate for affection and attention, she starts coaxing the anti-social Jim out of his shell. Eventually, they start jamming together in his garage. The film succeeds by not evolving their relationship in a typical fashion. Jim takes their music and Joy’s recovery more seriously than she does, which gives it a complexity that other indie rom-coms lack.
That’s a big mark in its favor, since UNLOVABLE dips too far into whimsy at times. Joy’s room is overflowing with stuffed animals, her job is on a Sesame Street-esque kids’ show, and there are even subtitles when an angry Jim and Joy literally communicate through music. (Even her contraband vibrator has bunny ears.)
But for bravely going there – sex addiction is rarely tackled in film at all, let alone with any nuance – and marching to the beat of its own drum, UNLOVABLE is hard to love but easy to admire.
UNLOVABLE is now playing in select theaters and available on VOD.