I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
THE ASSASSIN (☆☆)
As expectations are high with a Taiwanese film titled THE ASSASSIN, filmmaker Hsiao-Hsien Hou (THREE TIMES) hopes audiences get lost in its visual splendor rather than its story. The promised action is short-lived in the film’s painfully dull tale of an assassin (Qi Shu) who must choose between sacrificing the man (Chen Chang) she loves and breaching the order of the Assassins. Not Rated, 105 minutes. At the Angelika Film Center in Dallas.
Over the years, Spike Lee has stirred up much controversy since stepping into the public spotlight, often commenting on politics and race relations. As he proved with DO THE RIGHT THING and MALCOLM X, he’s a talented artist who can tackle sensitive issues with control and care. His most recent film, CHI-RAQ, shows he still has tricks up his sleeve. Starring Samuel L. Jackson and Nick Cannon, this unruly and powerful film takes the ancient Greek play “Lysistrata” by Aristophanes and sets it the backdrop of gang violence in Chicago. Rated R, 118 minutes. At the Angelika Film Center in Dallas and 10 other theaters in the metroplex.
Those unfamiliar with Rick Alverson’s work may be doomed for an unpleasant and grueling experience with his latest film. Starring Gregg Turkington and Tye Sheridan, ENTERTAINMENT is a loose narrative about an aging comedian (Turkington) who’s on the path to revive his career and meet his daughter (who may or may not exist). It’s the kind of film that is not for everyone and promotes discussion. However, once you see it, you may come to the conclusion that you wasted your time. Rated R, 103 minutes. At the Texas Theatre.
JAMES WHITE (☆☆☆½)
Growing up is not easy, especially when you lose someone you love so suddenly. For our titular character (a heartbreakingly good Christopher Abbott) in JAMES WHITE, he must overcome his self-destructive behavior to better himself and care for his ailing mother (a knockout Cynthia Nixon). Josh Mond’s feature debut provides audiences with an unshakable glimpse into the struggles of the unfortunate and it hits like a shot to the heart. Rated R, 85 minutes. At the Angelika Film Center in Dallas.
THE LETTERS (☆☆½)
While her fame and mission is ideal material for a great biopic, William Riead (ISLAND PREY) isn’t a schooled enough filmmaker to be taking on the story of Mother Teresa (Juliet Stevenson) and the letters she wrote to her spiritual advisor (Max Von Sydow). The cast shine in their individual parts, but the film’s odd presentation and inability to take risks keep THE LETTERS from delivering a complete spiritual punch. Rated PG, 114 minutes. Opens wide.