Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Jared McMillan // Film Critic
There are a lot of comedies/dramedies that have been produced lately that bring to light people with disabilities. From THE FUNDAMENTALS OF CARING to ABC’s newest hit SPEECHLESS, there is a growing sentiment to bring the realization that those with impairments or disability have the same feelings and emotions as anyone that is “normal.” It’s a fine line to walk, as one wrong plot point or development can lead to manipulating the audience’s emotions or caricaturizing the reality of the portrayed disability.
In Sophie Goodheart’s feature debut, MY BLIND BROTHER, Bill (Nick Kroll) has become a surrogate of sorts for his brother, Robbie (Adam Scott), a blind man who has dedicated his life as an athlete to raise money for charity. Bill reaches his limit in being his brother’s eyes during these competitions, leading Robbie to hire a volunteer in Rose (Jenny Slate). Complications arise when they start dating, but only after Bill and Rose had a one-night stand. The sibling rivalry comes to a boil as they try for Rose’s affections.
Originally a 2003 short by Goodheart, MY BLIND BROTHER uses a lot of familiarity in its storytelling, but it doesn’t forsake the actual emotions they have in order to play up Robbie’s disability. In fact, Robbie is a complete jock in the worst sense, manipulating his brother as well as the public. The movie plays it safe in its course, which is a shame considering the comedic talent. However, it isn’t about a happy ending but rather these individuals coming to a resolution with their flaws, and makes for a charming movie to watch.
Read our SXSW interview with filmmaker Sophie Goodhart here.
Michel Gondry is known for his visual sense of storytelling, creating an originality to highlight the presentation and make an impact; this is especially prevalent in ETERNAL SUNSHINE OF THE SPOTLESS MIND and BE KIND REWIND. It’s a surrealism that is grounded in innocence and purity, an oneiric lens to translate a piece of the director that’s given to the viewer.
His style has gotten away from him in his past narrative films, going more into the surrealism and forgetting to ground it through its subtext. In other words, the plane landed but it had some turbulence during the flight. However, Gondry has returned to form in the pleasantly surprising French tale MICROBE & GASOLINE.
Daniel (Ange Dargent) is an aspiring artist and the target of bullies; Theo (Theophile Baquet) is the new kid in town. They develop a friendship as they are drawn to their unique personalities and views of the world. The two of them get an idea to build a moving house and go on a road trip immersed in fun and personal growth. Anchored by charming performances from Dargent and Baquet, the movie is hampered at times by languid pacing. However, it’s a solid coming-of-age tale that opts for whim and still feels authentic thanks to its frank dialogue.
MY BLIND BROTHER and MICROBE & GASOLINE are available now on various VOD platforms.