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April 26, 2024

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John Magaro

John Magaro

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‘PAST LIVES’ Review: An Exceptional Unrequited Love Story

Courtney Howard June 7, 2023

In any other universe, this would still be a...

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Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

Recent Posts

[Video Interview] ‘SASQUATCH SUNSET’ directors on their Kubrickian vibes, embracing the offbeat path
[Film & TV Podcast Reviews] ‘SASQUATCH SUNSET,’ ‘ABIGAIL’, ‘EARTHSOUNDS’ & More
[Book Review] ‘FROM THE MOMENT THEY MET IT WAS MURDER’ doubles down on ‘DOUBLE INDEMNITY’ to the delight of film noir aficionados
How Music Plays A Multi-Faceted Role in ‘THE GREATEST HITS’
[Video Interview] Director Wade Allain-Marcus innovatively remakes ‘DON’T TELL MOM THE BABYSITTER’S DEAD’

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