Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Preston Barta // Editor
Being a journalist is by no means an easy profession. All too often you have to step out of your comfort zone, ask uneasy questions and do things that sometimes go against your own values.
WHISKEY TANGO FOXTROT, about a journalist (Tina Fey) who recounts her wartime coverage in Afghanistan and Pakistan, opens this weekend. In honor of its release (and SPOTLIGHT’s Best Picture win), we’re looking back at the movies that illustrate the complexities of the newsroom.
David Lipsky (Jesse Eisenberg), THE END OF THE TOUR (2015)
While this film isn’t throwback enough – only released just last year – it was a criminally underseen and overlooked film. It’s also an excellent portrayal of journalism, showing how difficult the job can be, the hard decisions you have to make, the facts you have to collect (and the way you go about it), and maintaining professionalism among many other notable things.
THE END OF THE TOUR tells the story of a journalist, Rolling Stone magazine reporter David Lipsky (Eisenberg), who is assigned to interview acclaimed author David Foster Wallace (Jason Segel), who’s on a publicity tour for his breakthrough novel INFINITE JEST. The duo spend five days talking and arguing about fame, loneliness, depression, junk food and DIE HARD… and it’s great.
Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), ALL THE PRESIDENT’S MEN (1976)
Now, I wasn’t alive when this movie came out in 1976, but I am aware of the impact it had. At a time when children only had the outdoors and the movies, every kid in the ’70s wanted to be a journalist after seeing ALL THE PRESIDENT’S MEN. It’s no surprise either, as it was one of the first films to accurately portray how suspenseful and exciting the world of journalism can be.
It’s out of the question to not root for Bob Woodward (Redford) and Carl Bernstein (Hoffman) as they uncover the details of the Watergate scandal that leads to President Richard Nixon’s resignation.
Charles Foster Kane (Orson Welles), CITIZEN KANE (1941)
When you make up a list centering on journalism or reporting, you can’t not mention CITIZEN KANE. Beyond its technical achievements (lighting, masking and camera work), the film represents ambitious storytelling on a grand scale. It kicks aside the standard flashback structure and introduces multiple narratives to paint a picture of a complicated man.
One of those narratives covers – you guessed it – a fascinating depiction of journalism. How does a compelling journalist tick? CITIZEN KANE expertly dives into such. In fact, Welles and writer Herman Mankiewicz drew inspiration from the life of William Randolph Hearst, who owned many newspapers at the time of the film’s release in 1941.
Instead of doing a by-numbers approach to Hearst’s life, Welles explores the complicated nature of storytelling and the corruption existing in a powerful entity like the newspaper business.
Stephen Glass (Hayden Christensen), SHATTERED GLASS (2003)
After the dreadful prequel trilogy in the STAR WARS franchise, who knew Hayden Christensen had it in him? In portraying the rise and fall of stained New Republic reporter Stephen Glass, who fabricated over half of his articles, Christensen made an unlikable dude charming (think Michael Fassbender’s Steve Jobs).
SHATTERED GLASS doesn’t exactly inspire people to want to pursue journalism, but it tackles how sticky it can often be. It’s a cautionary tale that’s quite good.
Robert Graysmith (Jake Gyllenhaal), ZODIAC (2007)
While Robert Graysmith (played by Gyllenhaal) started as a political cartoonist for the San Francisco Chronicle, he had a heart set for bigger opportunities, including investigative journalism. Graysmith took his job so serious and went further than anyone wants to imagine: following the trail to the infamous Zodiac killer.
The film went into how Graysmith became obsessed with the case and how it disrupted his relationships (causing two divorces). It’s a film that makes you wonder if you should give up and focus on the things that matter (friends and family), or face obstacles that may end in sorrow.
WHISKEY TANGO FOXTROT opens in theaters tomorrow, and SPOTLIGHT is available on Blu-ray and DVD today.