Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Preston Barta // Editor
What if Woody Allen adopted Mel Brooks’ comedy structure and mixed in some concepts from Disney-Pixar’s INSIDE OUT and MONTY PYTHON?
As strange as it sounds, this is pretty close to capturing what all happens in Allen’s breathlessly titled EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX* (*BUT WERE AFRAID TO ASK).
All titles are available for a limited time, exclusively from TwilightTimeMovies.com in limited runs of 3,000 copies.
The 1972 film breaks its stories of sexual activity into seven hilarious segments. They range from “Do Aphrodisiacs Work?” (Allen plays a medieval court jester that gives an aphrodisiac to his Queen, only to find himself without a head by the end of it) to “What is Sodomy?” (Gene Wilder stars as a medical doctor who falls in love with a sheep) to its final, and arguably best, leg called “What Happens During Ejaculation?” (a Tony Randall and Burt Reynolds-starring bit about a team of operatives who run a NASA-like control center in one man’s brain).
Some vignettes are naturally better than others (one about a giant breast attacking the countryside is admittedly silly). However, each are wrapped in rapid-fire laughs and coated with irony about the overly exaggerated importance of sex in our culture.
It’s Allen at his zaniest and wildest. It’s very clear early on that he’s not afraid to boldly go where no one has gone before, all while making you laugh hysterically in the process.
Extras: Isolated music track and original theatrical trailer.
Also available on Twilight Time
TOM SAWYER/HUCKLEBERRY FINN (1973/74)
Rated G, 104 minutes / Rated G, 118 minutes.
Director: Don Taylor / J. Lee Thompson
Cast: Johnny Whitaker, Jeff East and Jodie Foster / Jeff East, Paul Winfield and Harvey Korman
Sibling songwriting duo Richard M. Sherman and Robert B. Sherman (MARY POPPINS) tackle Mark Twain for a pair of uneven but entertaining musical adaptations. Both films move with the sweet innocence of an old Disney film, but some voices and tunes strike the wrong chord.
Extras: Isolated music tracks, two different TOM SAWYER audio commentaries, TOM SAWYER river song featurette, TOM SAWYER rehearsal with composer John Williams and the Sherman brothers, and original theatrical trailers.
Pat Boone and Pamela Tiffin are brother and sister in this picturesque remake of the 1945 movie musical STATE FAIR. While their parents (Alice Faye and Tom Ewell) are determined to win competitions with their livestock and cooking, the siblings find romance and fun in Emily Porter (a standout Ann-Margret) and Jerry Dundee (Bobby Darin) at the state fair in Dallas. Outside of its stunning camera work and vibrant colors, there’s not much to hang your hat on in this rendition.
Extras: Isolate music track, audio commentary with Pat Boone, From Page to Screen to Stage, STATE FAIR TV series pilot, and original theatrical trailers.
During a time when most Asian-Americans were marginalized or played by Mickey Rooney (Rooney might be dead, but he’s never living that down), this black-and-white tale is a total surprise in its representation and fine storytelling. THE CRIMSON KIMONO tells of two Los Angeles detectives (James Shigeta and Glenn Corbett) who are leading an investigation involving a murdered stripper from Little Tokyo. But along the way, they find themselves caught in a troubling love triangle with a possible key witness (Victoria Shaw). Tapping into themes of racism and sexual identity, this is a refreshing experience, even by today’s standards.
Extras: Isolated music track, Sam Fuller Storyteller, Curtis Hanson: The Culture of THE CRIMSON KIMONO, and original theatrical trailers.