Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Preston Barta // Features Editor
Not rated, 161 minutes.
Director: Andrei Tarkovsky
Cast: Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn and Nikolay Grinko
Available today on Blu-ray and DVD through the Criterion Collection.
In the zone…
There is an art to holding a viewer’s attention. Some of the best directors show great skill at this and can make lengthy movies seem shorter than they really are. However, some movies, especially older ones, can test your ability to sit still and not check your phone.
Andrei Tarkovsky’s dramatic 1979 sci-fi film STALKER is a long, meandering film that will definitely put your patience to the ultimate test. Clocking in at nearly three hours, packed with many 5-minute takes and a pace comparable to molasses, I don’t see many unfamiliar audiences having much interest in seeing what this movie is all about. It’s a title that demands a lot of your attention. But if you can take the time and watch it (I suggest taking notes throughout), it will be a rewarding ride to take.
STALKER is the post-apocalyptic story of three men (Aleksandr Kaydanovskiy, Anatoliy Solonitsyn and Nikolay Grinko) who embark on a journey to a mysterious place called “the Zone.” Legend has it that the Zone can grant three wishes to those who enter it. So these men are fed up with their sheltered lives and take it upon themselves to find what lies beyond.
The Russian-language film alludes to many events from the Sovet Union’s past, which is where its writer-director is from. Before the film was released, there were many nuclear testing facilities the public was unaware of. Many of the surrounding towns were closed off in fear of radiation spreading and infecting the world. Nearby residents were told that if they heard explosions or loud noises, it was because of meteorites. This fact formed the snowball for this film’s story.
What if the government told you that you had to stay where you are, when in reality you were in quarantine? Many films have tapped into this concept, such as the lackluster young adult series DIVERGENT or THE MAZE RUNNER. But STALKER was one of the first films to delve into it. While it may not present its ideas in the most entertaining way — many scenes feel like they go on forever, an intentional feeling to get audiences in a dreamlike trance — its literary and poetic nature is something you’ll find yourself thinking about.
Extras: The Criterion Collection 2K restoration release includes a new interview with Geoff Dyer (author of ZONA: A BOOK ABOUT A FILM ABOUT A JOURNEY TO A ROOM); interviews from 2002 with cinematographer Alexander Knyazhinsky, set designer Rashit Safiullin and composer Eduard Artemyev; and an essay by critic Mark Le Fanu.