I have been working as a film journalist since 2010, dividing the first four years between radio broadcasting and entertainment writing in the Dallas-Fort Worth metroplex. In 2014, I entered Fresh Fiction (FreshFiction.tv) as the features editor. The following year, I stepped into the film critic position at the Denton Record-Chronicle, a daily North Texas print publication. My time is dedicated to writing theatrical film reviews, at-home entertainment columns, and conducting interviews with on-screen talent and filmmakers, as well as hosting a podcast devoted to genre filmmaking (called My Bloody Podcast). I've been married for seven happy years, and I have one son who is all about dinosaurs just like his dad.
James Cole Clay // Film Critic
The LGBTQ community has made strides in America to peacefully become more accepted in the mainstream consciousness. With the new administration taking hold last week that acceptance and progress is now being threatened, which makes the new James Franco and Zachary Quinto-starring film I AM MICHAEL all the more pertinent story to tell.
Directed by Justin Kelly (KING COBRA) who takes the opportunity to craft a film that tells a different and, at times, thought-provoking story about a gay man named Michael (Franco) who was once at the cutting edge of activism with his partner Bennett (Quinto). However, 10 years later Michael chose to renounce his sexuality to become a Christian pastor.
Franco once again challenges himself as an artist with yet another novel portrayal of a man conflicted and searching for his own truth. The role isn’t easy to watch, but Franco, along with Quinto, bring a sensitivity that’s careful not to judge its protagonist, even though the results are pretty controversial.
While the film certainly isn’t a masterpiece, Kelly has created a film that dares to be different. His previous work, KING COBRA, was a fascinating oddity that proved to be a rewarding filmgoing experience. His latest, I AM MICHAEL, isn’t a full leap forward, but its endlessly fascinating subject matter that shows the filmmaker can direct A-list talent and has more on his mind than creating a story that goes in one ear and out the other.
Opening today in theaters (Top 10 Markets) and available On-Demand.
Spain has many unique filmmakers, but few have resonated as lavishly in the international film market as Pedro Almodovar (THE SKIN I LIVE IN, VOLVER). With his latest entry, JULIETA, Almodovar weaves together many of the elements from his best works to craft a simple but elegant narrative about the universal emotion of maternal guilt. It’s largely told through flashbacks, a device that strengthens the impact viewers endure during its story about a brokenhearted mother (Emma Suarez, Adriana Ugarte in the character’s earlier years) trying to reconnect with her daughter after years of separation. – Preston Barta
Now playing in limited release. Dallas: Angelika Film Center in Dallas.
The best way to talk about religion in film is with the tongue firmly planted in cheek. The Belgian film THE BRAND NEW TESTAMENT is just that, but with flares of magic. The first two lines spoken, we learn, are “God is real, and he lives in Brussels.” God’s daughter Ea (an excellent Pili Groyne) describes him as cruel, running the world from his computer desktop. The instigator of the movie’s plot, Ea infiltrates his office and releases the death date for every person on the planet. From there the film is a comedic affair filled with zeal and love, following Ea as she searches for six new apostles. These six people are our outlet to view the world from the perspective of broken, battered and bruised individuals. Director Jaco Van Dormael (Mr. Nobody) helps us learn about these people and look at our own lives with overwhelming positivity. – James Cole Clay
Now playing in limited release.