Running man – ‘JACK REACHER: NEVER GO BACK’ and Signature Edition of ‘PINOCCHIO’ hit the streets this week on Blu-ray/DVD

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Preston Barta // Editor

JACK REACHER: NEVER GO BACK
Rated PG-13, 118 minutes
Director: Edward Zwick
Cast: Tom Cruise, Cobie Smulders, Aldis HodgeDanika YaroshPatrick Heusinger and Holt McCallany
Available Tuesday on DVD, Blu-ray and various digital platforms.

Sometimes a relatively generic story can be redeemed by a confident central performance, as proven with 2012’s JACK REACHER, starring Tom Cruise.

In the JACK RREACHER sequel, NEVER GO BACK, Cruise reteams with the director of THE LAST SAMURAI, Edward Zwick, to give us, well, a generic story that cannot be redeemed by its confident central performance.

Based on the novel by Lee Child, NEVER GO BACK follows Reacher (Cruise) — a former Army military police commander — as he springs back into action when a fellow Army major (Cobie Smulders) is accused of treason. Reacher suspects foul play and will stop at nothing until the uniformed law enforcement can handle the truth.

Meanwhile, there’s a more personal dilemma on Reacher’s hands involving a woman who claims he is the father of her 15-year-old daughter (a miscast Danika Yarosh). It seems out of place and preposterous, I know.

The screenwriters of the sequel (Richard Wenk, Marshall Herskovitz and Zwick) soften up Reacher to turn the lens to action and melodrama. Reacher has a few sprinkles of the characteristics we saw in the 2012 film, but the sequel abandons its brains, adds unnecessary plotting and cliched characters when it could have been more effective.

Extras: Includes a JACK REACHER exclusive illustrated short story (“Everyone Talks”) and over 80 minutes of bonus features — Reacher Returns (your average behind-the-scenes/making-of), An Unexpected Family (a detailed look at Reacher and his relationships), Relentless: On Location in Louisiana (a 25-minute exploration of the film’s shooting locations and set designs), Take Your Revenge First: Lethal Combat (a focus on the film’s big scenes of action and actors’ preparations), No Quarter Given: Rooftop Battle (crafting the film’s action-packed finale) and Reacher in Focus: With Tom Cruise and Photographer David James (a unique discussion of on-set still photography).


PINOCCHIO
Rated G, 88 minutes.
Directors: Norman FergusonT. HeeWilfred JacksonJack KinneyHamilton LuskeBill Roberts and Ben Sharpsteen
Cast: Mel BlancCliff EdwardsDickie JonesCharles JudelsChristian Rub and Evelyn Venable

If you missed your chance to snag the 70th Anniversary Platinum Edition of PINOCCHIO back in 2009, before Disney closed their vault and copies of the special release were selling for a $100 on eBay, we have good news: the beloved 1940 animated classic is returning to stores, and this time with more special features.

PINOCCHIO was a monumental achievement in many ways. No only did it feature state-of-the-art hand-drawn effects, it was a different kind of story for Disney to tell. In the film, there are no princesses, castles or, in the best sense of the word, a main hero. Its tale of a wooden puppet who embarks on an adventure-filled journey to become a real boy is quite an experience.

Compared to the kind of material Disney churns out today, PINOCCHIO is frightening and all too real to anyone who lives in the real world and has messed up. While, yes, there’s magic, a talking cricket, a giant whale and a blue fairy, this film goes to show the truth of the world in a magnificent way: You have to work hard for the things you want. Nothing is handed to you. And yes, you will make mistakes along the way, but it’s whether you learn from them or not that defines who you are and the person you will become.

Extras: Disney is always great about making their releases well worth buying, and this is especially true with this Signature Collection. It comes packed with bonus content, including a look at the original artwork, the material and concepts that never made it to screen, a restored 1927 short (“Poor Papa”), deleted scenes, sing-alongs, a making-of, and much more.


MASTERMINDS
Rated PG-13, 95 minutes.
Director: Jared Hess
Cast: Zach GalifianakisKristen WiigOwen WilsonKate McKinnonJason SudeikisLeslie JonesMary Elizabeth Ellis and Ken Marino

Coming from the director NAPOLEON DYNAMITE and NACHO LIBRE (Jared Hess), you have to realize his next movie is going to be weird, but in a great way.

MASTERMINDS is an altered account on one of the largest heists in history about a group of amateurs (Zach Galifianakis, Kristen Wiig and Owen Wilson) who decide to rob Loomis Fargo of $17 million. Let’s just say comedy and debauchery ensues.

Completed with by a great supporting cast (Jason Sudeikis, Kate McKinnon and Leslie Jones), the film is here to make you laugh at some buffoons that got in the way of themselves escaping with millions of dollars. Come for the farce of life, stay for the hysterics of fiction.

Extras: The Imperfect Crime (a featurette about the true story).


QUEEN OF KATWE
Rated PG, 124 minutes.
Director: Mira Nair
Cast: Madina NalwangaDavid OyelowoLupita Nyong’o, Ethan Nazario Lubega and Taryn Kyaze

With its inspiring true life story of Ugandan chess prodigy Phiona Mutesi (a heartwarming Madina Nalwanga), along with the inclusion of Academy Award-winner Lupita Nyong’o acting as Mutesi’s mother and David Oyelowo (SELMA) as her mentor, QUEEN OF KATWE has all the right moves to touch you on a deep level. While its scenes are very fast paced, the Disney-produced film finds a nice balance of teaching culture, love and powerful lessons about never giving up.

Extras: A making-of, a behind-the-scenes featurette and sing-along with Alicia Keys, a music video with Ugandan hip-hop duo Young Cardamom & HAB, deleted scenes, and an audio commentary with director Mira Nair.

Also available on DVD and streaming: BALLERS: SEASON 2, BOO! A MADEA HALLOWEEN (read Courtney Howard’s review here), POLTERGEIST II: COLLECTOR’S EDITION and POLTERGEIST III: COLLECTOR’S EDITION (available through ShoutFactory.com).

About author

Preston Barta

Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.