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‘SHELBY OAKS’ Review: Chris Stuckmann’s Directorial Debut Serves As a Spooky Calling Card

Courtney Howard October 22, 2025

Courtney Howard // Film Critic SHELBY OAKS Rated R,...

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‘VOICEMAILS FOR ISABELLE’ Review: Zoey Deutch and Nick Robinson Shine in Netflix’s Best Rom-Com in Years
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‘VOICEMAILS FOR ISABELLE’ Review: Zoey Deutch and Nick Robinson Shine in Netflix’s Best Rom-Com in Years
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‘ERASER’ 30th Anniversary Interview: Director Chuck Russell Looks Back on the Timelessness of Arnold Schwarzenegger’s Conspiracy Actioner
‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
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‘VOICEMAILS FOR ISABELLE’ Review: Zoey Deutch and Nick Robinson Shine in Netflix’s Best Rom-Com in Years
‘GIRLS LIKE GIRLS’ Review: Hayley Kiyoko’s Accomplished Directorial Debut Captures the Beauty of Queer Longing During Girlhood
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‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature

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‘VOICEMAILS FOR ISABELLE’ Review: Zoey Deutch and Nick Robinson Shine in Netflix’s Best Rom-Com in Years
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‘LEVITICUS’ Review: Adrian Chiarella’s Superb Debut Exposes Real Horrors Hiding In Plain Sight
‘DISCLOSURE DAY’ Review: Steven Spielberg Comes Full (Crop) Circle with a Masterful Sci-Fi Feature

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‘VOICEMAILS FOR ISABELLE’ Review: Zoey Deutch and Nick Robinson Shine in Netflix’s Best Rom-Com in Years
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