Hello, there! My name is Preston Barta, and I am the features editor of Fresh Fiction and senior film critic at the Denton Record-Chronicle. My cinematic love story began where I was born: off planet on the isolated desert world of the Jakku system. It's there I passed the time scavenging for loose parts with my good friend Rey. One day I found an old film projector and a dusty reel of the 1975 film JAWS. It rocked my world so much that I left my kinfolk in the rearview (I so miss their morning cups of green milk) to pursue my dreams of writing about film. It wasn't long until I met two gents who said they would give me a lift. I can't recall their names, but one was an older man who liked to point a lot and the other was a tall, hairy fella. They got me as far as one of Jupiter's moons where we crossed paths with the U.S.S. Enterprise. Some pointy-eared bastard said I was clear to come aboard. He saw that I was clutching my beloved shark movie and invited me to the "moving pictures room" where he was screening the 1993 film JURASSIC PARK to his crew. He said my life would be much more prosperous if I were familiar with more work by the god named Steven Spielberg. From there, my love for cinema blossomed. Once we reached planet Earth, everything changed. I found the small town of Denton, TX, and was welcomed into the Barta family. They showed me the writings of local film critic Boo Allen. He became my hero and caused me to chase a degree in film and journalism. After my studies at graduate of the Hogwarts School of Witchcraft and Wizardry, I met some film critics who showed me the ropes and got me into my first press screening: 2011's THE GREEN LANTERN. Don't worry; I recovered just fine. MAD MAX: FURY ROAD was only four years away.
Preston Barta // Features Editor
Not to be confused with last year’s HELL OR HIGH WATER, this 1954 Cold War-set film is arguably the most intense and visually stunning of the bunch. Many CinemaScope-shot movies of the 1950s — while epic in, well, scope — don’t quite match up entirely. Many of the frames are different color grades and are distracting. But HELL AND HIGH WATER looks as radiant as its submarine-involved story thrills.
Extras: Isolated music track, Richard Widmark: Strength of Characters, and original theatrical trailers
Before the Michael Caine and Brendan Fraser-starring remake in 2002, there was the 1958 original film about a young naive American worker (Audie Murphy) and an older English journalist (Michael Redgrave) bumping heads over politics and a beautiful young Vietnamese woman (Giorgia Moll). The Graham Green adaption provided viewers with an early look of the Vietnam War on film. Watching it today is even more compelling, because it doesn’t exactly paint America in the brightest colors.
Extras: Isolate music track with some effects and original theatrical trailer
George Segal (THE GOLDBERGS) stars in a 1969 war action-drama that centers on a hopeless battle between German and Allied forces in the last days of WWII. This is perhaps the best war movie you’ve never heard about, exhibiting a gritty story with notable performances that show up its contemporary genre films.
Extras: Isolated music track and original theatrical trailer
Twilight Time continues its trend of restoring Charles Bronson movies with this 1972 true story of Mafia informant Joseph Valachi. THE VALACHI PAPERS arrived at bad time, when The Godfather reigned supreme. Now that it’s been 45 years, today is a good time as any to witness this exciting crime film.
Extras: Partial isolated music track
Jackie Chan has undoubtedly made a massive impact on culture. His impressive martial arts skills and stunts changed the way we make movies. So why not revisit the movies that helped put him on the map: 1978’s SNAKE IN THE EAGLE’S SHADOW and DRUNKEN MASTER. Both titles feature Chan’s developing style and comedy talent at its peak. It’s an absolute joy.
Extras: Isolated music tracks and DRUNKEN MASTER audio commentary with film historians Ric Meyers and Jeff Yang